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Salvage the Bones: A Novel, by Jesmyn Ward
Download PDF Salvage the Bones: A Novel, by Jesmyn Ward
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Winner of the National Book AwardJesmyn Ward, two-time National Book Award winner and author of Sing, Unburied, Sing, delivers a gritty but tender novel about family and poverty in the days leading up to Hurricane Katrina.A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.As the twelve days that make up the novel's framework yield to their dramatic conclusion, this unforgettable family--motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce--pulls itself up to face another day. A big-hearted novel about familial love and community against all odds, and a wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, Salvage the Bones is muscled with poetry, revelatory, and real.
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Product details
Paperback: 288 pages
Publisher: Bloomsbury USA; Reprint edition (April 24, 2012)
Language: English
ISBN-10: 1608196267
ISBN-13: 978-1608196265
Product Dimensions:
5.6 x 0.8 x 8.3 inches
Shipping Weight: 9.6 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
756 customer reviews
Amazon Best Sellers Rank:
#6,281 in Books (See Top 100 in Books)
In three reviews of Salvage the Bones (New York Times, Washington Post, Kirkus), Jesmyn Ward's National Book Award winning novel, no reviewer focuses on the centrality of motherhood in the book. Ward does in interviews she's given about the book. Also, the narrator's father is described by reviewers as an alcoholic, indifferent and abusive to his children's needs. Almost no one mentions Skeetah, the older brother narrator Esch is so attached to that she can almost feel him as part of her own body. In other words, all of these reviews, in my opinion, get the book wrong and miss the most important parts.Ward's book opens with birth: Skeetah's pit bull China is giving birth to puppies and the reader learns more about the mechanics of that than one might have hoped, but we also learn that China is the love of Skeetah's life. His capacity of care for her is big enough to encompass almost the entire bayou in which they live and ultimately weather hurricane Katrina that is approaching relentlessly throughout the book, villain and goddess of the book. The love Skeetah has for China, that older brother Randall has for youngest brother Junior, that they all have for each other and their Dad's love, flawed as it is, is the sinew that ties the book together and is Ward's contribution. As much as relations and inequalities between men and women and toxic masculinity provide a drum beat throughout the book, it is actually the human capacity for love, the undertold story of infinite male tenderness and even less told story of female ferocity that are its heart. While damaged emotionally and eventually also physically, the children's father spends the entire book preparing for the storm. Amidst his own traumas and anxieties, he gathers resources, boards windows, stores water, worrying as the storm approaches, while no one else heeds his alarm. In a book in which the Greek myths are an undercurrent, he is the chorus, announcing and heeding the omens of doom. Even Big Henry, a physically massive and emotionally stable tree trunk of a presence, reminds Esch over and over until she hears it that he will protect her and care for her, without permitting the selfish distraction of his own desire to drown her, like the boy she sees as a son god, Manny does.But it is the mother force of China, the echoes and remnants of love of the children's own mother lost in childbirth, Katrina and Esch, ultimately, herself, that is the main drive in the book. Like Medea, this force is as capable of wanton destruction (Katrina, obviously but also China's unthinking violence toward her own puppies) as it is of the kind of tenderness that keeps her children's faces unlined, unworried, bathed in love (later, motherless Randall's face is described as a jigsaw puzzle where the pieces don't quite fit), mothers marshal and command the power of the universe. It is not a power to be taken for granted or contained. It spills over, knocking down everything in its path. It is limitless, like when Big Henry's mother has room enough in her own damaged home to take in Esch's family, soothing and nursing them all to comfort. It is this force that Esch, in her coming of age and coming to accept her own impending motherhood, understands she must now marshal.
Um...I can see why Ward is a two-time National Book Award winner! This book, for me, was nearly flawless. I devoured the language and couldn’t get enough of the setting. A very unique characterization of a family. Some of the characters were better developed than others, and unfortunately the narrator, Esch, was one of the unsatisfying ones. But her brothers were all painted clearly and brilliantly. I lived for the relationship between Skeetah and China. And I loved how we got to live with the family for a long while before the hurricane came into their lives. It made it so it wasn’t just another natural disaster story.Gonna read all of her books now.
Reading this extraordinary book brought to mind a quote from Roethke: "What is madness but nobility of the soul at odds with circumstance." Four siblings and their father prepare for Hurricane Katrina and this novel takes place in twelve days as they await and prepare for the hurricane.The story is told from 15 year old Esch Bastille's perspective shortly after she has finds out she is pregnant. Motherless herself since her youngest brother Junior was born, Esch is trying to hang on to the impoverished but emotionally rich life of her family in 'the pit', their home is Bois Sauvage, Mississippi. Her oldest brother Randall has the potential to be recruited for a college basketball scholarship but lately his knee has been swelling a lot whenever he works out. Skeetah, her other brother, loves his pit bull China with a fierce and total passion. China has just given birth to puppies and her maternal instinct is in question. She is a fighting dog and the scenes of dog fights are visceral but essential to the core of the novel.What transfixed me was the mythological backdrop to the narrative. Esch, a good student, has a book on Greek mythology that she is reading for school over the summer. Her character is super-imposed on the Jason and Medea story and Esch notices that "in every one of the Greeks' mythology tales, there is this: a man chasing a woman, or a woman chasing a man. There is never a meeting in the middle. There is only a body in a ditch, and one person walking toward or away from it." As Esch deals with her feelings for Manny, the baby's father, she reflects on the Greek myth.While this novel's narrative focuses on a poor black family trying to survive a brutal and unforgiving act of nature in the face of very adverse conditions, it is really timeless. It is about connection, love, family and loss. It is about those things that are bigger than what we perceive on the surface, the geological core of our being. As Esch says, "I will tie the glass and stone with string, hang the shards above my bed, so that they will flash in the dark and tell the story of Katrina, the mother that swept into the gulf and slaughtered. Her chariot was a storm so great and black the Greeks would say it was harnessed to dragons."I will not forget this book. It has worked its way into my heart and being It is one of my all-time favorite books.
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